I create environment and concept art for video games and interactive applications, and illustration commissions.

As part of the pioneering wave of iPhone and smartphone game developers, my first game Spider was the first mobile game to feature fully illustrated, traditional storybook-style graphics. Featuring a spider that weaves webs and collects insects, the game highlights the aspect I find most compelling in interactive media: environmental storytelling. I created detailed rooms that encouraged players to discover hidden narratives through exploration. This visual design paired with innovative gameplay mechanics earned recognition for Spider, and changed the trajectory of my life. Since then, I have been privileged to collaborate with some of the industry’s most talented creators.

In my fine art practice, I primarily work in traditional media to create ethereal botanicals that dwell within their own sepia-toned haunted garden. I am deeply fascinated by morphological mimicry and how objects and spaces carry narratives that shape our experience, animating and revealing hidden layers of meaning beyond their surface. There is something profound about the imprint beings leave on a place, a lingering remnant of presence and memory. It is this subtle trace that I am drawn to explore in my work.